![]() ![]() The seven episodes that preceded the finale primed the pump for its power with a careful attention to theme and character. Randall played the part, which succeeded in arousing Jamie, and then took advantage of it. With Jamie’s dehumanization near complete- he was now Randall’s possession, his property – Randall sealed the deal by exploiting Jamie’s coping mechanism for his ordeal: Fantasizing about his true love, Claire (Caitriona Balfe), a time traveler from 1940s England. At one point, Randall coerced an increasingly disoriented Jamie into marking himself with his brand. Randall used various strategies to break Jamie’s resistance, to make him pliable. We watched “Black” Jack Randall (Tobias Menzies), a monstrous rogue officer in the British army occupying 1700s Scotland, ruthlessly pursue his goal of manipulating his longtime sexual obsession, Jamie Fraser (Sam Heughan), into making love to him. ![]() It was also exceptionally disturbing, making for a most unpleasant if necessary hour of television. Moore and his collaborators presented a rigorously considered portrayal of sexual violence and dote on the psychic impact on the victim. Bringing to screen the most provocative moment in Diana Gabaldon’s first Outlander novel, showrunner Ronald D. The Outlander finale, “To Ransom a Man’s Soul,” was shot many months ago, but it played like a response to rape glut concerns. ![]()
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